- master narratives need rails to run their fiction on, nazism the ruins of
WOI and the economic disarray of the twenties, stalinism equally so worsened
by post-tsarist chaos in the Soviet empire. Do you see global terrorism and
its consequences of a culture of surveillance serving as a rail to run the
Benthamian panopticum of semantic capitalism (BPSC) on?
How about justifications for the BPSC in view of our need to avert actual and impending catastrophes (global warming, reigning famines in Africa untsoweiter) originating from science?
I really don't know
- do you think of the BPSC as a closed event? It happened, so we're done for? Or are we in its concluding phase, wrapping up the remains of the day, closing up the façade with laws on sedition, cleaning up the mess of intimacy in the Big Brother house, locking down the gaps in the defense of our savezones?
we’ll see...
- do you think of your own work as somehow fighting the BPSC, are you developing strategies towards that, or do you limit yourself to commenting it, exposing it?
I’m a minimalistic-sado-masochistic artist ;-)
- has the BPSC got the rise of the Asian empire covered (ouch)?
I read your Cosmolalia proposal prior to the discussion, must say there's a
lot there resembling my own thinking, up to the use of Mallarmé's ptix (very
funny, i already considered it to be somewhat 'my ptix', so i feel a bit
bereft of it). There are, however,differences in degree i think, so, knowing
most of the answers are contained within the text at
http://www.cosmolalia.com/readme100/, perhaps you could expand on the
questions here nonetheless? I'm asking a lot, i know how exhausting these
exercises can be, but it would be nice if we could bring the views there to
relate to the problem we're attempting to tackle here.